Avital Burg b. 1985

Overview

Burg’s practice begins outside the studio. She gathers natural materials growing along the streets between her home and her Brooklyn studio: wildflowers, weeds, and branches that persist within the city’s built environment. These plants, which appear only during particular seasons, are brought into the studio and arranged before the artist begins painting from life. The titles of the paintings reference the specific neighborhoods and streets where the plants were first encountered.

 

The resulting works function as painterly field notes. Layers of oil paint accumulate gradually, recording the shifting micro-seasons of each plant while emphasizing the tactile presence of the painted surface. Burg’s work engages the long history of still life painting, a genre that has often used flowers and other perishable forms to reflect on the passage of time. In her paintings, this tradition is extended through duration: the subject continues to change as the painting is made, condensing weeks of observation into a single image. 

 

Materiality plays a central role in Burg’s process. Akin to low-relief surfaces, the paintings accumulate physical depth as dried fragments of oil paint from the artist’s palette are folded back into fresh pigment. Some canvases are painted over earlier works, while in others bare linen reveals traces left when the artist wipes her brush at the end of a day’s work. These surfaces register both the physicality of painting and the layered time of their making.

 

Born in Jerusalem and now based in Brooklyn, Burg approaches the urban landscape with a sensitivity to the flora that persist in demanding environments. In both cities, vegetation survives in marginal spaces: between stones, along sidewalks, or through cracks in pavement. By gathering these overlooked plants and bringing them into the studio, Burg elevates modest forms of urban growth into subjects of careful study. Through patient observation and materially layered surfaces, the paintings render visible the slow transformations of season, light, and growth -changes that become perceptible only with time.

 

Avital Burg (b.1985, Jerusalem, Israel) attended the Bezalel Academy of Art and Design, Jerusalem, “Hatahana” school of figurative drawing and painting, Tel Aviv, The Slade School of Art, London, and the New York Studio School. Avital Burg has had solo exhibitions at Nazarian / Curcio, Los Angeles, CA; Fridman Gallery, New York, NY; Browse & Darby in association with Crean and Company, London, UK; Pamela Salisbury Gallery, Hudson, NY; Slag Gallery, New York, NY; and Neve Schechter Gallery, Tel Aviv, ISR. Her work was part of two-person exhibitions at Arts at AJU, Los Angeles, and Club Caltural Matienzo, Buenos Aires. Avital Burg was recently included in group shows at Nazarian / Curcio, Los Angeles, CA, the Islip Art Museum, NY, Lehman College Art Gallery, Bronx, NY, among other venues. The artist was awarded residencies by the Salonstall Foundation for the arts, Interlude Residency, and received the Artis Residency Grant in 2022.  Burg's works are part of several collections, including Louis-Dreyfus Family Collection, NY; The Bank Leumi art collection, Israel; and Dov Shiff collection, Florida. 

Works
  • Avital Burg, Sterling Pl Snow Flowers Contre-Jour (for Paula), 2026
    Avital Burg
    Sterling Pl Snow Flowers Contre-Jour (for Paula), 2026
    Oil and oil pastels on linen
    18 ½ x 13 ½ in
    47 x 34.3 cm
  • Avital Burg, TG Adar Wild Chamomile, 2026
    Avital Burg
    TG Adar Wild Chamomile, 2026
    Oil and oil sticks on linen
    24 x 18 in
    61 x 45.7 cm
  • Avital Burg, Harlemville Road Flowering Raspberry and Morning Glory, 2025
    Avital Burg
    Harlemville Road Flowering Raspberry and Morning Glory, 2025
    Oil on canvas
    20 x 16 in
    50.8 x 40.6 cm
Installation shots