Overview

One of Norway’s most celebrated artists, Tori Wrånes is known for her intricate installations and performances that combine sound, extravagant costuming, prosthetics, and large-scale sculpture, Wrånes’ practice involves fantastical interpretations of themes such as queer identity, Nordic folklore, and environmental change. Wrånes and her performers are often set in a fantasy world, exploring Nordic myths through dreamlike narratives. Her sculptures evoke the body without fully representing it, while her action-based abstract paintings are composed of the same silicon and pigment that forms the prosthetics of her costumes.

The vastness of her interests require her practice to take on multiple forms through video/performance, sculpture, painting, and architecture. As a synesthete—a person with a condition of combining senses such as sight and sound—Wrånes visualizes vocal patterns into a sculptural form. In turn, she also visualizes form in sound, sculpting with her voice. From this sense-based creative process, she has also developed her own unique method of communication coined as “troll language.” Using sound to convey primal emotions and truths, the artist bypasses the structural hierarchies of language and rational thought. For Wrånes, the troll is a metaphor for the id and human fate alike; it represents our hidden truths. The result is a wide ranging, experimental, and ritualistic practice that freely draws on ancient stories and contemporary struggles to speak to the human experience of past and present.

 


 

Tori Wrånes (b. 1978 in Kristiansand, Norway; Lives and works in Oslo, Norway) recent solo shows include Mussel Tears at Shulamit Nazarian, Los Angeles, CA; Handmade Acoustics at Ujazdowski Castle for Contemporary Art in Warsaw, Poland; Hot Pocket at Museum of Contemporary Art, Oslo; Ældgammel Baby / Ancient Baby, Kunsthal Charlottenborg Denmark; Flute Warriors, with Red Comunitaria Trans, Kuirbog Festival, Bogotá, Colombia; and Drastic Pants, Carl Freedman Gallery London. Select performances include Stone and Singer commissioned by the 19th Biennale of Sydney; Yes Nix, commissioned by Performa 13, New York; Colombo Art Biennale, Sri Lanka; Dhaka Art Seminars, Bangladesh; CCA Lagos, Nigeria; The Eccentrics, Sculpture Center, New York; Naam Yai, commissioned for the Thailand Biennale in Krabi; and Garden of Lefthand commissioned by the Lilith Performance Studio in Malmo, Sweden.

The artist is in the permanent collections of the Nasjonalgalleriet (The National Museum of Art, Design and Architecture), Oslo, Norway; Gothenburg Art Museum, Gothenburg, Sweden; Astrup Fearnley Museum, Oslo, Norway; Lillehammer Kunstmuseum, Lillehammer, Norway; Sørlandets Kunstmuseum, Kristiansand, Norway; Preus Museum, Horten, Norway; and the Kistefos Museum, Jevnaker, Norway. Her work is also permanently installed at the Ekebergparken Sculpture Park, Oslo, Norway and the REV Ocean Collection, Port of Norway. 

 

Wrånes’s work will be included in the upcoming Venice Biennale in 2026. 

Works
  • Tori Wrånes, Mothers and Child, 2022
    Tori Wrånes
    Mothers and Child, 2022
    Lucite, photocured acrylic, epoxy, resin, urethane foam, PVC, Bondo, birch, acrylic paint, concrete, steel fasteners, shoes, and textiles
    53 x 256 x 54 in
  • Tori Wrånes, Bean Bag 12, 2022
    Tori Wrånes
    Bean Bag 12, 2022
    Bean bag: vinyl, foam
    Handmade Acoustics Painting: epoxy and pigment powder on panel
    30 x 30 x 30 in
  • Tori Wrånes, Fifth Leg, 2022
    Tori Wrånes
    Fifth Leg, 2022
    Resin, urethane foam, steel, and acrylic paint
    15 x 78 x 16 in
  • Tori Wrånes, Garden, 2022
    Tori Wrånes
    Garden, 2022
    Watercolor on paper, silicone on plexiglass, with bronze ring
    Framed: 42 x 30.25 inches
  • Tori Wrånes, Mothers and Child (Garden) , 2022
    Tori Wrånes
    Mothers and Child (Garden) , 2022
    Watercolor on paper with bronze ring
    Framed: 21 x 16 x 2 in
  • Tori Wrånes, Garden, 2022
    Tori Wrånes
    Garden, 2022
    Watercolor on paper, silicone and epoxy on plexiglass
    Framed: 42 x 30.25 inches
  • Tori Wrånes, Mussel Tears, 2021
    Tori Wrånes
    Mussel Tears, 2021
    Steel, concrete, mussels
    26 x 13 x 20 in
  • Tori Wrånes, Mussel Tears, 2021
    Tori Wrånes
    Mussel Tears, 2021
    Steel, concrete, mussels
    27 x 10.5 x 7.5 in
  • Tori Wrånes, Mussel Tears, 2021
    Tori Wrånes
    Mussel Tears, 2021
    Steel, concrete, mussels
    20.5 x 2 x 9.5 in
  • Tori Wrånes, Handmade Acoustics, 2022
    Tori Wrånes
    Handmade Acoustics, 2022
    Epoxy and pigment powder on panel with letter-carved frame
    Framed: 12.5 x 9.75 x 3 in
  • Tori Wrånes, Handmade Acoustics, 2018
    Tori Wrånes
    Handmade Acoustics, 2018
    Silicone, pigment, and textile on panel
    80 x 57 x 5 in
  • Tori Wrånes, Handmade Acoustics, 2022
    Tori Wrånes
    Handmade Acoustics, 2022
    Epoxy and pigment on textile with letter-carved frame
    25 x 21 x 4 in (framed)
    63.5 x 53.3 x 10.2 cm (framed)
  • Tori Wrånes, Singing Painting, 2021
    Tori Wrånes
    Singing Painting, 2021
    Acrylic, pigment, and silicone on panel with letter-carved frame
    Framed: 25 x 21 x 2.5 in
  • Tori Wrånes, Handmade Acoustics, 2020
    Tori Wrånes
    Handmade Acoustics, 2020
    Silicone on textile with frame
    Framed: 25 x 21 x 4 in
  • Tori Wrånes, Singing Painting, 2016
    Tori Wrånes
    Singing Painting, 2016
    Silicone, acrylic, and foam on panel
    Framed: 25 x 21 x 2.5 in
  • Tori Wrånes, Singing Painting, 2022
    Tori Wrånes
    Singing Painting, 2022
    Silicone, epoxy, and acrylic on panel
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes, Singing Painting, 2022
    Tori Wrånes
    Singing Painting, 2022
    Silicone and acrylic on panel with metal three-claw hammer
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes, Singing Painting, 2022
    Tori Wrånes
    Singing Painting, 2022
    Silicone, epoxy, and acrylic on panel
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes, Your Next Vacation Is Calling, 2014
    Tori Wrånes
    Your Next Vacation Is Calling, 2014
    Performance
    Lilith Performance Studio, Malmö, SE
  • Tori Wrånes, Natural Enough?, 2011
    Tori Wrånes
    Natural Enough?, 2011
    Performance
    HOVE festivalen, with Jan Erik Mikalsen, Arendal, NO
  • Tori Wrånes, Bobo, 2009
    Tori Wrånes
    Bobo, 2009
    Performance
    This I can´t tell you, Henie Onstad Kunstsenter, NO
  • Tori Wrånes, Track of Horns, 2015
    Tori Wrånes
    Track of Horns, 2015
    Performance
    Transart, Bolzano, Italy
  • Tori Wrånes, Loose Canon, 2010
    Tori Wrånes
    Loose Canon, 2010
    Performance
    LIAF, (Lofoten International Art Festival), NO
  • Tori Wrånes, Stone and Singer, 2014
    Tori Wrånes
    Stone and Singer, 2014
    Performance
    19th Biennale of Sydney, You Imagine What You Desire, Sydney, AU
  • Tori Wrånes, Ancient Baby, 2017
    Tori Wrånes
    Ancient Baby, 2017
    Single-channel video
    14:59 minutes
    1 of 3 + 2AP
  • Tori Wrånes, Mom, Don't You Miss The Real Me?, 2015
    Tori Wrånes
    Mom, Don't You Miss The Real Me?, 2015
    Silicone, acrylic pigment, wood, cotton textile
    Legs: 62 x 88 x 55 cm Body: 100 x 70 x 67 cm
  • Tori Wrånes, Drastic Pants, 2016
    Tori Wrånes
    Drastic Pants, 2016
    Textile, foam, wood, metal, hat, shoes, and beanbag
    80 x 70 x 90 cm
  • Tori Wrånes, Hoolahoop for Velvet Hips, 2017
    Tori Wrånes
    Hoolahoop for Velvet Hips, 2017
    Rope, silicone, color pigments, brass
    52 x 12 x 6.5 in
  • Tori Wrånes, Singing Painting, 2014-2015
    Tori Wrånes
    Singing Painting, 2014-2015
    Acrylic, silicone, color pigments, foam, plasticine on wood
    50 x 60 cm
  • Tori Wrånes, Sad Dwarf, 2016
    Tori Wrånes
    Sad Dwarf, 2016
    Silicon, gel, pigment, wood, metal, leather jumpsuit, leather shoes
    120 x 90 cm
  • Tori Wrånes, Desert Troll-Technique, 2017
    Tori Wrånes
    Desert Troll-Technique, 2017
    Leather jacket, wood, battery, iPhone 6, video
    100 cm x 90 cm
    Video: 06:30 minutes
  • Tori Wrånes, Three Claw Hammer, 2017
    Tori Wrånes
    Three Claw Hammer, 2017
    Silicon, color pigments, bronze
    13 ½ x 4 ¾ in
    34.3 x 12.1 cm
  • Tori Wrånes, When my bones melted I could no longer see the difference between Right and Wrong, 2017
    Tori Wrånes
    When my bones melted I could no longer see the difference between Right and Wrong, 2017
    Shoes, textile, wood
    53 x 21.25 inches
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