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Naama Tsabar: Inversions

Past exhibition
10 January - 29 February 2020
  • Overview
  • Works
  • Installation Views
  • Press
  • Videos
Overview
Naama Tsabar, Inversions

Shulamit Nazarian is pleased to present Inversions, an exhibition of new sculptures by Israeli-born, New York based artist Naama Tsabar. This is the artist’s first solo exhibition in California.

 

Naama Tsabar has become known for her ambitious installations, performances, and sculptures that parse the boundaries of spaces that surround us—both physical and metaphorical—for which we normally have no access. Cutting into walls and treating hidden interiors as sculptural and musical spaces, Tsabar considers the venues themselves as structures of power, enabling a display of fantasy, sexuality, and bravado. Tsabar upends the implicit gender roles and coded behavior of music and its related subcultures.

 

The exhibition title, Inversions, refers to a new body of work that is installed directly into the existing architecture of the gallery. Utilizing the shallow space behind the gallery’s walls, Inversion #1 and Inversion #2 assumes an overlooked space as a site of importance or a platform for action. Fusing together elements from guitars, harps, banjos, and violins, Tsabar creates an inverted instrument that relies on the contortions and penetrations of participants’ bodies for its activation. Inversion #2 includes a singing chamber, with holes and voids in the architecture for the voices of performers to fill.

 

 

 

Amplifying the sounds made on the Inversion works, Tsabar will present new pieces from her ongoing Transition series. In this body of work, the artist exposes the wires, knobs, and connectors from pre-existing guitar amplifiers to function as the palate for what she refers to as “sculptural paintings that have the ability to output sound”. Unlike previous works within this series, Tsabar has replaced the canvas substrate with fabric grills of commercial amplifiers.

 

These Transition works can be connected to an instrument or other sound-emitting device, which expands the visual experience of the piece into a sonic one. For this exhibition, Inversion #1 and Inversion #2 have each been connected to a Transition work, amplifying the actions that take place inside the gallery walls.

 

Also included in the exhibition are new variations from the artist’s ongoing Works on Felt series. At first viewing these wall sculptures made of felt, carbon fiber, epoxy, a guitar tuner and a single piano string exist as austere objects, artworks that nod to the sculptures of Robert Morris or to the shapes of Ellsworth Kelly. Once touched, Tsabar’s Works on Felt cross the threshold into instrument; the strumming of the piano string or the beating of the felt is amplified by a contact microphone and outputted by an amplifier.

 

Like many of the artist’s pieces, Works on Felt both subvert a power structure and simultaneously reveal the unseen. In this case, historic male minimalism – known for its anti-expressionistic authority – is imbued with the participant’s musical expression and physical body on the felt: a material that is usually used to damper and absorb sound. Whereas minimalist ethics abide to a ‘what-you-see-is-what-you-get’ notion of literalizing either the object in the room or the paint on the surface, Tsabar departs from that idea of ‘transparency’. Concealing the carbon fiber, the artist manipulates the felt material to uphold the tension of the piano wire, while still making the felt appear materially unaffected. The work’s ability to be played like an instrument further highlights the gallery space as an active structure rather than a neutral background.

 

Furthering her architectural interventions, a new work titled Dedicated, Shulamit Nazarian will take form as a collaboration between the artist and the gallery’s founder. Dedicated, Shulamit Nazarian is a diptych that exists as both an addition, and subtraction, within the gallery architecture. Tsabar has invited the gallery founder to give her a list comprised of female-identifying and gender-nonconforming artists that have been influential to her. Tsabar will then transcribe the list directly onto the gallery wall, after which will be cut out from the architecture, framed, and hung inside the gallery -leaving the remaining hole exposed throughout the exhibition. Through this work, Tsabar asks to expose the unseen structure around us, while reversing the gendered hierarchy; the artist evokes a chain of feminist dedications through the very platform of display and real estate.

 

Through her architectural interventions and the transformation of sculptures – or entire spaces – into instruments, Tsabar questions complicitness and performance within power structures. Suggesting new feminist solutions, Tsabar continues to consider the role of both intimacy and destruction as an antidote to oppressive, and often unseen forces.

 

On February 11 and 12, Naama Tsabar, along with Nicki Chen-Walters, Diana Diaz, FIELDED, Kristin Mueller, and Sarah Strauss performed on the sculptures in Inversions, in which every work in the show was activated simultaneously.

 

On February 13, 14, and 15, Naama Tsabar and Kristin Mueller performed (Untitled) Double Face six times over the course of three days on the backlot of Frieze Los Angeles at Paramount Pictures Studios, as part of Frieze Projects curated by Rita Gonzales and Pilar Tompkins.

 

Untitled (Double Face) is a sculpture comprised of two guitars that have been fused together to form a single instrument. Sharing a back, the chromed-plated form is conjoined in a way that requires a mutual negotiation between the two performers, moving in unison and in tension.

 

 

Works
  • Naama Tsabar Inversion, 2020 Wood, strings, polyurethane and latex paint, banjo tuners, metal contact microphones, wiring, cable port 66 x 35 x 4.75 inches
    Naama Tsabar
    Inversion, 2020
    Wood, strings, polyurethane and latex paint, banjo tuners, metal contact microphones, wiring, cable port
    66 x 35 x 4.75 inches
  • Naama Tsabar Inversion #2, 2020 Wood, microphone, metal, plastic, polyurethane and latex paint, cable port, mixer Exterior: 14 x 15.5 inches
    Naama Tsabar
    Inversion #2, 2020
    Wood, microphone, metal, plastic, polyurethane and latex paint, cable port, mixer
    Exterior: 14 x 15.5 inches
  • Naama Tsabar Transition, 2019 Wood, amp grill cloth, cables, disassembled Boss Katana 100 guitar amplifier: knobs, wires, circuit board, ports, speaker 63 x 40 5/8 x 6 1/2 inches
    Naama Tsabar
    Transition, 2019
    Wood, amp grill cloth, cables, disassembled Boss Katana 100 guitar amplifier: knobs, wires, circuit board, ports, speaker
    63 x 40 5/8 x 6 1/2 inches
  • Naama Tsabar Transition, 2019 Wood, amp grill cloth, cables, disassembled Fender rumble 100 guitar amplifier, knobs, wires, circuit board, ports, speaker 51 x 38 1/2 x 7 inches
    Naama Tsabar
    Transition, 2019
    Wood, amp grill cloth, cables, disassembled Fender rumble 100 guitar amplifier, knobs, wires, circuit board, ports, speaker
    51 x 38 1/2 x 7 inches
  • Naama Tsabar, Work on Felt (Variation 22) Purple, 2019
    Naama Tsabar, Work on Felt (Variation 22) Purple, 2019
  • Naama Tsabar Work on Felt (Variation 21) Dark Blue, 2019 Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier 83 x 58 3/4 x 19 1/4 inches
    Naama Tsabar
    Work on Felt (Variation 21) Dark Blue, 2019
    Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier
    83 x 58 3/4 x 19 1/4 inches
  • Naama Tsabar Work on Felt (Variation 23) Black, 2019 Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier 74 x 50 x 18 inches
    Naama Tsabar
    Work on Felt (Variation 23) Black, 2019
    Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier
    74 x 50 x 18 inches
  • Naama Tsabar Work on Felt (Variation 24) Dark Blue, 2019 Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier 71 3/4 x 56 1/2 x 25 inches
    Naama Tsabar
    Work on Felt (Variation 24) Dark Blue, 2019
    Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier
    71 3/4 x 56 1/2 x 25 inches
  • Naama Tsabar Dedicated, Shulamit Nazarian, 2020 Sheetrock, wood, and graphite 35.5 x 19.5 inches
    Naama Tsabar
    Dedicated, Shulamit Nazarian, 2020
    Sheetrock, wood, and graphite
    35.5 x 19.5 inches
Installation Views
  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

  • Naama Tsabar, Inversions, installation view

    Naama Tsabar, Inversions, installation view

Press
  • Naama Tsabar. Work on Felt (Variation 22), 2019

    art review: Naama Tsabar, inversions

    Jonathan Griffin, ArtReview, March 1, 2020
  • Naama Tsabar. Untitled #3 (from the Untitled Double Face Museum series), 2016

    galerie: the most exciting emerging artists spotted at frieze la

    Galerie, February 17, 2020
  • Naama Tsabar. Inversions, 2020. Shulamit Nazarian, Los Angeles

    ocula: frieze los angeles shows to see

    Tessa Moldan, Ocula Magazine, February 7, 2020
  • Naama Tsabar. Untitled #3 (from the Double Face Museum Series), 2016

    Art Insider: Instruments in gallery walls, ceramics in the garden, and art in a plumbing store

    Lindsay Preston Zappas, KCRW Art Insider, February 4, 2020
  • Naama Tsabar. Inversions, 2019. Shulamit Nazarian, Los Angeles

    Artnet News: in la for frieze week? here is out guide to 33 inspiring gallery shows to see beyond the fairs

    Sarah Cascone, Artnet News, February 1, 2020
  • Naama Tsabar. Inversion #2, 2020

    LA Weekly: Multimedia artist naama tsabar subverts space, in time

    Trina Calderón, LA Weekly, January 31, 2020
  • Naama Tsabar. Untitled #3 (from the Double Face Museum Series), 2016

    Los Angeles times: frieze los angeles will use paramount backlot to explore truth, lies and hollywood

    Deborah Vankin, Los Angeles Times, December 17, 2019
  • Naama Tsabar. Untitled #3 (from the Untitled Double Face Museum series), 2016

    los angeles magazine: frieze returns to the paramount backlot with installations that speak to the political moment

    Brittany Martin, Los Angeles Magazine, December 17, 2019
Videos
  • Naama Tsabar "Inversions"

    Naama Tsabar "Inversions"

    Performed at Shulamit Nazarian, Los Angeles On February 11 and 12, Naama Tsabar, along with Nicki Chen-Walters, Diana Diaz, FIELDED, Kristin Mueller, and Sarah Strauss performed on the sculptures in Inversions, in which every work in... Read more

Related artist

  • Naama Tsabar

    Naama Tsabar

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