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The future perfect will have arrived, curated by Bridget Mullen: Lucas Blalock, Lindsay Burke, Sophia Flood, Autumn Knight, Dana Lok, Kenny Rivero

Past exhibition
7 January - 10 February 2023
Back to exhibitions

Nazarian / Curcio

616 N La Brea Ave

Los Angeles, CA 90036

info@nazariancurcio.com

310.281.0961

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Regular Hours: Tuesday – Saturday: 10 am – 6 pm

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Lucas Blalock, Film-Object (Potato), 2020
Lucas Blalock, Film-Object (Potato), 2020
Lucas Blalock, Film-Object (Potato), 2020
Lucas Blalock, Film-Object (Potato), 2020
Lucas Blalock, Film-Object (Potato), 2020

Lucas Blalock

Film-Object (Potato), 2020
Dye sublimation prints on aluminum, book cloth, motorized turntable display. Unique.
11 3/4 x 23 3/8 x 23 3/8 in
29.8 x 59.4 x 59.4 cm
Inquire
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Lucas Blalock, Film-Object (Potato), 2020
  • (View a larger image of thumbnail 2 ) Lucas Blalock, Film-Object (Potato), 2020
  • (View a larger image of thumbnail 3 ) Lucas Blalock, Film-Object (Potato), 2020
  • (View a larger image of thumbnail 4 ) Lucas Blalock, Film-Object (Potato), 2020
  • (View a larger image of thumbnail 5 ) Lucas Blalock, Film-Object (Potato), 2020
'Lucas Blalock uses materiality as consistent indicators in his photographic constructions, and I suspect his overall process is purposely varied to change up the results. Through his digital tools of...
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"Lucas Blalock uses materiality as consistent indicators in his photographic constructions, and I suspect his overall process is purposely varied to change up the results. Through his digital tools of stamping or smudging to create iterations, things can get pushed into comically illogical, exhilaratingly ridiculous, or darkly charming pitches. In Film-Object (Potato), he flips his typical structure of distorting and reconstructing forms in 2D to 3D via a kinetic sculpture—a sluggish zoetrope-type carousel of pictures of a potato on a table. Because something is nameable doesn’t mean its only assignment is language—numbers, dirt, potatoes, or even faces for that matter, can be both pure shape without a guarantee of symbolism, and be chosen for their connotations. The repetition and motion is inherently alluring. It harbors a tension from the looming promise of meaning that doubling down on an original implies."

— Bridget Mullen
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