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Tori Wrånes: Mussel Tears

Past exhibition
29 January - 12 March 2022
  • Overview
  • Works
  • Installation Views
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Overview
Installation view of Tori Wrånes: Mussel Tears, Shulamit Nazarian, Los Angeles, January 29–March 12, 2022. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Ed Mumford.
Tori Wrånes: Mussel Tears, Shulamit Nazarian, Los Angeles, January 29–March 12, 2022. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Ed Mumford.

Shulamit Nazarian is pleased to present Mussel Tears, a solo exhibition featuring Oslo-based Norwegian artist Tori Wrånes. The artist has been featured in numerous group shows at the gallery since 2016, however this is Wrånes’s first solo exhibition in Los Angeles.

As a synesthete, a person with a condition of combining senses such as seeing color and form in sound and language, Wrånes visualizes sound into a sculptural and physical dimension. This experience allows the artist to use sound to dictate the form of painting and sculpture and, in turn, she also visualizes objects through vocal projection.

 

Mussel Tears premiers sculptures, paintings, sound, and performance together to evoke dream-like narratives, where the familiar becomes fantastical. The exhibition has developed from the artist’s ongoing observation of what she describes as “the quiet outcasts of society,” referring both to elements of nature and personal relationships. The works in the show visualize a sensory experience of the world.

The exhibition title routes the viewer through Kristiansand, Norway, a southern coastal fishing town and the artist’s birthplace. She fondly remembers exploring the waters as a child and expresses profound sadness about environmental degradation and the possible extinction of mussels that proliferated in this area. Known to ecologists as nature’s water filters, these mollusks play a principal role in maintaining a healthy ecosystem. Wrånes pays homage to these quiet heroes by creating droplet-shaped sculptures that mimic the mussels’ oblong shells, which also signify human tears. She incorporates the mollusks into cement, contrasting the formal qualities of the hard exterior shell with the iridescent interior, further likening them to the human body. Wrånes is interested in what we reveal and conceal, carefully considering the experience of a world outside of our bodies and within our minds.

In Wrånes’s fantasy world, reality remains suspended. In the central gallery a large-scale sculpture of human bodies, featuring two mothers with a child, is present. A large flute extends from the mouth of one mother through the body of the other, uniting the two individual beings. On the floor, a young child reaches up longingly to play the flute that is connecting its parents. In the rafters of the gallery, a bean bag envelops a small painting, further highlighting Wrånes’s interest in the body and the precarity of the world she’s envisioned. In a separate room of the gallery, a sculpture of a cat and a dog are united through a shared tail. Each creature is looking back at one another acknowledging that they are forever connected. Through these sculptural forms, Wrånes addresses the dependence and interconnection of all living beings. She charges her forms with a raw and emotional sensitivity that heightens our awareness and understanding of familiar objects and relationships. 

 

Rumbling periodically throughout the exhibition is the sound of foghorns recorded from the lighthouse on the shores of Wrånes’s hometown. The blaring sounds are strung together by a melodic vocal whirling sung by the artist. She shares, “When I sing in a non-verbal language, it’s like sculpting. Both the voice and paintings contain emotion because it is an action that comes out of the body.” Voice, for Wrånes, is a material matter that can be shaped and can shape others. Manifesting the artist’s interest in the culmination of sound, performance, and the body is Wrånes’s performance of Echo Face, an improvised performance. Through prosthetics, make-up, and props, she transforms her physical likeness into a new being and sculpts an operatic melody with her voice. 

 

Punctuated throughout the walls, are a set of action-based abstract paintings that are composed of the same silicone and pigment that form the prosthetics of her costumes and sculptures. She calls them abstract dreams. These intuitively-created works function as non-verbal, abstract language output from the body that is based on rhythm, volume, and temperament. Lapping thick textures and colors together, these voluminous paintings point to a body, even more so, when she pierces the frame of the painting, humanizing it by penetrating it physically with metal rings. Several frames are also engraved with words that evoke the very sounds that inform each painting.

 

Wrånes’ unique method of communication, using sound and form to convey primal emotions and truths, bypasses the structural hierarchies of language and rational thought. The result is a wide-ranging, experimental, and ritualistic practice that guides us outside of our known world. The works in Mussel Tears situates the self in relation to other beings, both human and non-human, and illustrates how our understanding of the world is constantly mediated by our own bodies. Throughout her practice, Wrånes sews together our senses, asking us to consider how we might privilege the overlooked in any form.

 


 

Tori Wrånes (b. 1978 in Kristiansand, Norway; Lives and works in Oslo, Norway) recent solo shows include Handmade Acoustics at Ujazdowski Castle for Contemporary Art in Warsaw, Poland; Hot Pocket at Museum of Contemporary Art, Oslo; Ældgammel Baby / Ancient Baby, Kunsthal Charlottenborg Denmark; Flute Warriors, with Red Comunitaria Trans, Kuirbog Festival, Bogotá, Colombia; and Drastic Pants, Carl Freedman Gallery London. Select performances include Stone and Singer commissioned by the 19Th Biennale of Sydney; Yes Nix, commissioned by Performa 13, New York; Colombo Art Biennale, Sri Lanka; Dhaka Art Seminars, Bangladesh; CCA Lagos, Nigeria; The Eccentrics, Sculpture Center, New York; and Naam Yai, commissioned for the Thailand Biennale in Krabi. A forthcoming performance commissioned by the Lilith Performance Studio will be presented in April 2022 in Malmo, Sweden.

 

The artist is in the permanent collections of the Nasjonalgalleriet (The National Museum of Art, Design and Architecture), Oslo, Norway; Gothenburg Art Museum, Gothenburg, Sweden; Astrup Fearnley Museum, Oslo, Norway; Lillehammer Kunstmuseum, Lillehammer, Norway; Sørlandets Kunstmuseum, Kristiansand, Norway; Preus Museum, Horten, Norway; and the Kistefos Museum, Jevnaker, Norway. Her work is also permanently installed at the Ekebergparken Sculpture Park, Oslo, Norway and the REV Ocean Collection, Port of Norway. Wrånes is represented by Shulamit Nazarian and Carl Freedman Gallery.

Works
  • Tori Wrånes Mothers and Child, 2022 Lucite, photocured acrylic, epoxy, resin, urethane foam, PVC, Bondo, birch, acrylic paint, concrete, steel fasteners, shoes, and textiles 53 x 256 x 54 in
    Tori Wrånes
    Mothers and Child, 2022
    Lucite, photocured acrylic, epoxy, resin, urethane foam, PVC, Bondo, birch, acrylic paint, concrete, steel fasteners, shoes, and textiles
    53 x 256 x 54 in
  • Tori Wrånes Handmade Acoustics, 2018 Silicone, pigment, and textile on panel 80 x 57 x 5 in
    Tori Wrånes
    Handmade Acoustics, 2018
    Silicone, pigment, and textile on panel
    80 x 57 x 5 in
  • Tori Wrånes Fifth Leg, 2022 Resin, urethane foam, steel, and acrylic paint 15 x 78 x 16 in
    Tori Wrånes
    Fifth Leg, 2022
    Resin, urethane foam, steel, and acrylic paint
    15 x 78 x 16 in
  • Tori Wrånes Garden, 2022 Watercolor on paper, silicone on plexiglass, with bronze ring Framed: 42 x 30.25 inches
    Tori Wrånes
    Garden, 2022
    Watercolor on paper, silicone on plexiglass, with bronze ring
    Framed: 42 x 30.25 inches
  • Tori Wrånes Garden, 2022 Watercolor on paper, silicone and epoxy on plexiglass Framed: 42 x 30.25 inches
    Tori Wrånes
    Garden, 2022
    Watercolor on paper, silicone and epoxy on plexiglass
    Framed: 42 x 30.25 inches
  • Tori Wrånes, Garden, 2022
    Tori Wrånes, Garden, 2022
  • Tori Wrånes, Mussel Tears, 2021
    Tori Wrånes, Mussel Tears, 2021
  • Tori Wrånes Mussel Tears, 2021 Steel, concrete, mussels 27 x 10.5 x 7.5 in
    Tori Wrånes
    Mussel Tears, 2021
    Steel, concrete, mussels
    27 x 10.5 x 7.5 in
  • Tori Wrånes, Mussel Tears, 2021
    Tori Wrånes, Mussel Tears, 2021
  • Tori Wrånes Singing Painting, 2016 Silicone, acrylic, and foam on panel Framed: 25 x 21 x 2.5 in
    Tori Wrånes
    Singing Painting, 2016
    Silicone, acrylic, and foam on panel
    Framed: 25 x 21 x 2.5 in
  • Tori Wrånes, Singing Painting, 2022
    Tori Wrånes, Singing Painting, 2022
  • Tori Wrånes Singing Painting, 2021 Acrylic, pigment, and silicone on panel with letter-carved frame Framed: 25 x 21 x 2.5 in
    Tori Wrånes
    Singing Painting, 2021
    Acrylic, pigment, and silicone on panel with letter-carved frame
    Framed: 25 x 21 x 2.5 in
  • Tori Wrånes Singing Painting, 2022 Silicone, epoxy, and acrylic on panel Framed: 12.5 x 9.75 x 1 in
    Tori Wrånes
    Singing Painting, 2022
    Silicone, epoxy, and acrylic on panel
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes Singing Painting, 2022 Silicone and acrylic on panel with metal three-claw hammer Framed: 12.5 x 9.75 x 1 in
    Tori Wrånes
    Singing Painting, 2022
    Silicone and acrylic on panel with metal three-claw hammer
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes Singing Painting, 2022 Silicone, epoxy, and acrylic on panel Framed: 12.5 x 9.75 x 1 in
    Tori Wrånes
    Singing Painting, 2022
    Silicone, epoxy, and acrylic on panel
    Framed: 12.5 x 9.75 x 1 in
  • Tori Wrånes Handmade Acoustics, 2022 Epoxy and pigment on textile with letter-carved frame Framed: 25 x 21 x 4 in
    Tori Wrånes
    Handmade Acoustics, 2022
    Epoxy and pigment on textile with letter-carved frame
    Framed: 25 x 21 x 4 in
  • Tori Wrånes Pants On, 2022 Denim, bronze 68 x 16 x 15 in
    Tori Wrånes
    Pants On, 2022
    Denim, bronze
    68 x 16 x 15 in
  • Tori Wrånes Handmade Acoustics, 2022 Epoxy and pigment powder on panel with letter-carved frame Framed: 12.5 x 9.75 x 3 in
    Tori Wrånes
    Handmade Acoustics, 2022
    Epoxy and pigment powder on panel with letter-carved frame
    Framed: 12.5 x 9.75 x 3 in
Installation Views
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 4
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 10
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 7
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 12
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 5
  • Mussel Tears Tori Wra Nes Shulamit Nazarian 14
Press
  • ECHO FACE, 2018 (PERFORMANCE VIEW, VEGA / ARTS, VEGA SCENE, COPENHAGEN, 2020). PHOTO: FRIDA GREGERSEN. COURTESY THE ARTIST AND SHULAMIT NAZARIAN, LOS ANGELES

    ArtReview: Tori Wrånes Mussel Tears

    Cat Kron, Art Review, April 13, 2022
  • Tori Wrånes, Mothers and Child, 2022. Lucite, photocured acrylic, epoxy, resin, urethane foam, PVC, Bondo, birch, acrylic paint, concrete, steel fasteners, shoes, and textiles, 53 x 256 x 54 in. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Ed Mumford.

    Whitehot Magazine: Tori Wrånes: Mussel Tears at Shulamit Nazarian

    Peter Frank, Whitehot Magazine, February 21, 2022
  • Tori Wrånes, ECHO FACE, Shulamit Nazarian, Los Angeles, CA. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Mason Kuehler.

    Art and Cake: The Profound Dimension of Tori Wrånes

    Sydney Walters, Art and Cake, February 18, 2022
  • Tori Wrånes: Mussel Tears, Shulamit Nazarian, Los Angeles, January 29–March 12, 2022. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Ed Mumford.

    Artnet: Standout Gallery Exhibitions to See in L.A. During Frieze Week

    Sarah Cascone, Artnet, February 15, 2022
  • Tori Wrånes, ECHO FACE, Shulamit Nazarian, Los Angeles, CA. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Mason Kuehler.

    Hyperallergic: Your Concise Los Angeles Art Guide for February 2022

    Hyperallergic, Matt Stromberg and Elisa Wouk Almino , January 31, 2022
  • Tori Wrånes: Mussel Tears, Shulamit Nazarian, Los Angeles, January 29–March 12, 2022. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Ed Mumford.

    Artforum Must See: "Tori Wrånes: Mussel Tears" at Shulamit Nazarian

    Editors, Artforum, January 27, 2022
  • Tori Wrånes, ECHO FACE, VEGA|ARTS Vega Scene Copenhagen. Courtesy of the artist and Shulamit Nazarian, Los Angeles. Photo: Frida Gregersen.

    LA Weekly: Miracle Week Arts Calendar

    Shana Nys Dambrot, LA Weekly, January 26, 2022
Video

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  • Tori Wrånes

    Tori Wrånes

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Nazarian / Curcio

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